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"But sometimes when I wake in the grey morning, and between waking and sleeping, think of all those things that I must shut out from my sleeping and waking thoughts, I wonder was I right or was he? Was he mad, or was I idiotically incredulous? For--and it is this thing that haunts me--when I found them dead together in the vault, she had been buried five weeks. But the body that lay in John Hurst's arms, among the mouldering coffins of the Hursts of Hurstcote, was perfect and beautiful as when he first clasped her to his arms, a bride."
E. Nesbit's "The Hursts of Hurstcote" is only one of the many stories found in The Oxford Book of Gothic Tales, the first anthology of this spinetingling genre. Though Gothic fiction has generally been identified with Walpole's"Castle of Otranto" and the works of Ann Radcliffe, these thirty-seven selections compiled by Chris Baldick provide a unique look at the genre's development into its present-day forms. We see standard gothic elements of incest, murder, and greed in "The Poisoner of Montremos," a late eighteenth-century story by Richard Cumberland. We find in Poe's "The Fall of the House of Usher" the tale that set a new standard of decadence for Gothic stories. In Hawthorne's "Rappacini's Daughter," a young girl is raised on the very essence of poison. In Faulkner's "A Rose for Emily," a woman's death satisfies a neighborhood's curiosity with a bizarre discovery. In other tales, a ghost reveals his sin of parricide, madness drives a man to murder,and a young girl spends her lifetime locked in a single room. All these stories and more contain the common elements of the gothic tale: a warped sense of time, a claustrophobic setting, a link to archaic modes of thought, dynastic corruption, and the impression of a descent into disintegration. Yet they also reveal the progression of the genre from stories of feudal villains amid crumbling ruins to a greater level of sophistication in which writers brought the gothic tale out of its medieval setting, and placed it in the contemporary world.
Bringing together the work of such writers as Robert Louis Stevenson, Eudora Welty, Thomas Hardy, Edgar Allan Poe, William Faulkner, Isak Dinesen, Arthur Conan Doyle, Joyce Carol Oates, Jorge Luis Borges, Eudora Welty, Patrick McGrath, and Isabel Allende, The Oxford Book of Gothic Tales presents a wide array of the sinister and unsettling for all lovers of ghost stories, fantasy, and horror.
- Sales Rank: #794581 in Books
- Published on: 1992-05-14
- Original language: English
- Number of items: 1
- Dimensions: 8.81" h x 1.88" w x 5.75" l,
- Binding: Hardcover
- 560 pages
From Publishers Weekly
The fog-enshrouded castle, the crumbling family manor; old secrets unveiled, curses cast, chains clanking, fear and trembling; dread, decay, disintegration, death--each of these trademarks of the well-made Gothic tale is vividly represented in this comprehensive anthology. Informatively introduced and chronologically arranged, the 37 stories showcase the Gothic tradition from its late-18th-century inception up to the present. Included are genre classics from such illustrious practitioners as Poe, Hawthorne, Lovecraft and McGrath, as well as gems from literary masters like Faulkner, Welty, Oates and Borges, all of whom dabble(d) to fine effect in the form. Among the highlights are "The Parricide Punished," an anonymous entry from 1799 set in an enormous castle and narrated by a guest whose visit becomes a waking nightmare; Eden Glasgow's "Jordan's End," in which a long history of family madness gives rise to a most untimely death; F. M. Mayor's "Miss DeMannering of Asham," the story of two women on holiday who get more local color than they bargained for when they learn the shocking truth about DeMannering's dead infant; and especially Ray Russell's bizarre "Sardonicus," whose title character gives the kind of villainous performance that evokes Vincent Price in his horror-movie heyday.
Copyright 1992 Reed Business Information, Inc.
Review
`Review from previous edition the perfect book to put beside the bed of a timorous guest you wish would go home' The Economist
`a sumptuous spread of eeriness, horror and decay, plus an astute introduction that lays bare the gothic's vitals...there will be something in this book to chill the blood of any reader. ' John Carey, Sunday Times
`Armed with this anthology...the faint-hearted connoisseur can make his way down the gloomy halls and secret passageways of the genre. ' Peter Ackroyd, The Times
`this is a generous selection from the eighteenth century up to the present day ... Deliciously unsettling. ' The Observer
About the Author
About the Editor:
Chris Baldick is a Lecturer in English at the University of Lancaster. He is the author of In Frankenstein's Shadow: Myth andMonstrosity in Nineteenth-Century Writing (1987).
Most helpful customer reviews
24 of 24 people found the following review helpful.
Some I've already read elsewhere, but the new ones to me were riveting! Great gothic collection!
By CoffeeGurl
I wanted to combine a good gothic book with the gothic romance I intended to read and had been on my TBR pile for a while and found this collection at a bookstore. The Oxford Book of Gothic Tales has a large collection stories by authors from times that vary from Georgian period to recent years. Some are dark and sinister, others have a mystery to discover while there are those that have only the gothic atmosphere down pat. There are quite a few popular authors here -- William Faulkner, Edgar Allan Poe, Angela Carter and Joyce Carol Oates, to name a few. There are also some stories written by "Anonymous." My favorite stories are "The Lady of the House of Love," by Angela Carter, Eden Glasgow's "Jordan's End," and Ray Russell's "Sardonicus." The stories are quite dark and are some of the best in the gothic genre. I've already read some of the stories from the authors I've enjoyed over the years (like Poe and Oates), but the ones I hadn't read made this a very enjoyable read for me. I cannot recommend this unique collection enough.
17 of 17 people found the following review helpful.
Views of the Dark Side
By Trilby Busch
This is a wonderful anthology, giving a full historical spectrum of Gothic tales from silly early ones to chilling modern ones. I've used this as a textbook in two courses I teach in college, and students have been both amused (at blatantly Freudian overtones in 18th century stories) and horrified (especially at Pizarnek's account of Erzebet Bathory's perversions). My favorites are Carter's "Lady of the House of Love" and Cowles' "The Vampire of Kaldenstein," both of which combine eerieness with ironic humor.
17 of 18 people found the following review helpful.
Worthwhile Reading
By A Customer
This is a very interesting collection of literature. It includes writing from the late 1700s extending to the present. What makes this collection so amazing is that it not only includes stories from Poe, Lovecraft, and Hawthorne, but it also has stories taken from periodicals and anthologies long out of print. You'd never find some of this writing anywhere else, and it is truly amazing.
All of the stories do have somewhat of a dark and twisted theme, but they are all very rich.
If seriously considering this book, I highly recommend purchasing it in a hardback edition. It will last you much longer, and you'll be glad for this after reading it.
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