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Rip It Up and Start Again: Postpunk, 1978-1984
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- Published on: 1700
- Binding: Paperback
Most helpful customer reviews
21 of 21 people found the following review helpful.
Seems Great
By A. Ross
Let me admit right up front that I am not a fan of 95% of the music chronicled in this book. But several of my friends are, so I thought I'd dip into it to see if it would make a nice gift. With that in mind, I read the one chapter that covers music I really love, the chapter about the rapid rise and fall of the 2-Tone ska movement. Those twenty pages were enough to convince me that Reynolds is best kind of music writer, able to write evocatively about the music itself while providing the social, economic, and political context for its creation. He hits the nail firmly on the head in his analysis of The Specials' songs as "cheerless" -- tying them to social-realist cinema and the bleak post-WWII concrete jungle of their native Coventry. Reynolds also does a nice job of describing the origins of ska, it's development in England, and rather complicated ties to the mod and skinhead subcultures. He's also brimming with details about the major bands and why it all fell apart so quickly. Two quibbles do present themselves. One is that some of the transitions are a bit choppy, and I later learned that the US edition I read is an abridged version of the UK edition (nowhere is this obviously stated on the US edition). Some 300+ pages were cut, which would explain some of the choppiness I found, and I have to say that I'll be buying the more expensive UK version for my friends. The second reservation I have with the book is the total lack of documentation. It's great to quote Dammers, Hall, Staple, and all these other musicians, but it would be nice to know where these quotes came from so that one could do follow-up reading or research -- there's not even a bibliography! These cavaets of abrdigement and referencing aside, this appears to be an excellent, well-written account of an overlooked era of music history and should stand as the definitive work for many years to come.
0 of 0 people found the following review helpful.
The Bible of Postpunk
By M Roy Clark
This has been one of my favorite books for years. Simon Reynolds finds a way to tie the disparate threads of independent experimentation and unbridled newness of the Postpunk era (1978-1984, formally) into an acceptable narrative thread that's as engaging as it is informative. I cannot recommend this book any higher.
3 of 3 people found the following review helpful.
Overly academic
By S
It's well-researched and well-written - that much we can all agree on - but I think the writing is a bit dry. This book has been sitting next to "Please Kill Me: the uncensored oral history of punk" on my bookshelf for nearly a year, and I can only read a chapter or two at a time. I've tried reading "Rip it Up" several times, but it lacks the energy and compulsive readability of its shelf-mate. I sorely want to read this book, but my mind starts wandering every time I start reading it...it feels kind of like homework. It just lacks the energy of the music it describes.
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